<?xml version="1.0" encoding="UTF-8"?>
<!-- This sitemap was dynamically generated on სექტემბერი 13, 2026 at 12:31 pm by All in One SEO v4.3.5.1 - the original SEO plugin for WordPress. -->

<?xml-stylesheet type="text/xsl" href="https://artsmediajournal.tafu.edu.ge/default.xsl"?>

<rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom">
	<channel>
		<title>Arts &amp; Media Journal</title>
		<link><![CDATA[https://artsmediajournal.tafu.edu.ge]]></link>
		<description><![CDATA[Arts &amp; Media Journal]]></description>
		<lastBuildDate><![CDATA[Sun, 13 Sep 2026 11:35:06 +0000]]></lastBuildDate>
		<docs>https://validator.w3.org/feed/docs/rss2.html</docs>
		<atom:link href="https://artsmediajournal.tafu.edu.ge/sitemap.rss" rel="self" type="application/rss+xml" />
		<ttl><![CDATA[60]]></ttl>

		<item>
			<guid><![CDATA[https://artsmediajournal.tafu.edu.ge/en/choreography-existing-lost-and-modernized-khatuna-damchidze/]]></guid>
			<link><![CDATA[https://artsmediajournal.tafu.edu.ge/en/choreography-existing-lost-and-modernized-khatuna-damchidze/]]></link>
			<title>CHOREOGRAPHY: EXISTING, LOST, AND MODERNIZED. Khatuna Damchidze</title>
			<pubDate><![CDATA[Sun, 13 Sep 2026 11:35:06 +0000]]></pubDate>
		</item>
					<item>
			<guid><![CDATA[https://artsmediajournal.tafu.edu.ge/%e1%83%a5%e1%83%9d%e1%83%a0%e1%83%94%e1%83%9d%e1%83%92%e1%83%a0%e1%83%90%e1%83%a4%e1%83%98%e1%83%90-%e1%83%9b%e1%83%a7%e1%83%90%e1%83%a0%e1%83%98-%e1%83%93%e1%83%90%e1%83%99%e1%83%90%e1%83%a0/]]></guid>
			<link><![CDATA[https://artsmediajournal.tafu.edu.ge/%e1%83%a5%e1%83%9d%e1%83%a0%e1%83%94%e1%83%9d%e1%83%92%e1%83%a0%e1%83%90%e1%83%a4%e1%83%98%e1%83%90-%e1%83%9b%e1%83%a7%e1%83%90%e1%83%a0%e1%83%98-%e1%83%93%e1%83%90%e1%83%99%e1%83%90%e1%83%a0/]]></link>
			<title>ქორეოგრაფია &#8211; მყარი, დაკარგული, მოდერნიზებული. ხათუნა დამჩიძე</title>
			<pubDate><![CDATA[Sun, 13 Sep 2026 11:35:05 +0000]]></pubDate>
		</item>
					<item>
			<guid><![CDATA[https://artsmediajournal.tafu.edu.ge/en/%e2%84%966-16-2026_en/]]></guid>
			<link><![CDATA[https://artsmediajournal.tafu.edu.ge/en/%e2%84%966-16-2026_en/]]></link>
			<title>№6-16-2026_en</title>
			<pubDate><![CDATA[Sun, 13 Sep 2026 11:19:58 +0000]]></pubDate>
		</item>
					<item>
			<guid><![CDATA[https://artsmediajournal.tafu.edu.ge/%e2%84%966-16-2026/]]></guid>
			<link><![CDATA[https://artsmediajournal.tafu.edu.ge/%e2%84%966-16-2026/]]></link>
			<title>№6-16-2026</title>
			<pubDate><![CDATA[Sun, 13 Sep 2026 11:19:50 +0000]]></pubDate>
		</item>
					<item>
			<guid><![CDATA[https://artsmediajournal.tafu.edu.ge/en/virtual-reality-vr-a-new-medium-for-art-george-chartolani/]]></guid>
			<link><![CDATA[https://artsmediajournal.tafu.edu.ge/en/virtual-reality-vr-a-new-medium-for-art-george-chartolani/]]></link>
			<title>VIRTUAL REALITY (VR), A NEW MEDIUM FOR ART. George Chartolani</title>
			<pubDate><![CDATA[Sun, 13 Sep 2026 11:19:35 +0000]]></pubDate>
		</item>
					<item>
			<guid><![CDATA[https://artsmediajournal.tafu.edu.ge/%e1%83%95%e1%83%98%e1%83%a0%e1%83%a2%e1%83%a3%e1%83%90%e1%83%9a%e1%83%a3%e1%83%a0%e1%83%98-%e1%83%a0%e1%83%94%e1%83%90%e1%83%9a%e1%83%9d%e1%83%91%e1%83%90-vr-%e1%83%ae%e1%83%94%e1%83%9a%e1%83%9d/]]></guid>
			<link><![CDATA[https://artsmediajournal.tafu.edu.ge/%e1%83%95%e1%83%98%e1%83%a0%e1%83%a2%e1%83%a3%e1%83%90%e1%83%9a%e1%83%a3%e1%83%a0%e1%83%98-%e1%83%a0%e1%83%94%e1%83%90%e1%83%9a%e1%83%9d%e1%83%91%e1%83%90-vr-%e1%83%ae%e1%83%94%e1%83%9a%e1%83%9d/]]></link>
			<title>ვირტუალური რეალობა (VR), ხელოვნების ახალი მედიუმი. გიორგი ჩართოლანი</title>
			<pubDate><![CDATA[Sun, 13 Sep 2026 11:19:27 +0000]]></pubDate>
		</item>
					<item>
			<guid><![CDATA[https://artsmediajournal.tafu.edu.ge/en/digital-broadcasting-and-the-viewing-practices-of-generation-z-a-study-in-the-context-of-cultural-industry-and-habitus-bilge-kalkavan-zubeyde-gamze-sahin/]]></guid>
			<link><![CDATA[https://artsmediajournal.tafu.edu.ge/en/digital-broadcasting-and-the-viewing-practices-of-generation-z-a-study-in-the-context-of-cultural-industry-and-habitus-bilge-kalkavan-zubeyde-gamze-sahin/]]></link>
			<title>DIGITAL BROADCASTING AND THE VIEWING PRACTICES OF GENERATION Z: A STUDY IN THE CONTEXT OF CULTURAL INDUSTRY AND HABITUS. Bilge Kalkavan, Zübeyde Gamze Şahin</title>
			<pubDate><![CDATA[Sun, 13 Sep 2026 11:19:13 +0000]]></pubDate>
		</item>
					<item>
			<guid><![CDATA[https://artsmediajournal.tafu.edu.ge/%e1%83%aa%e1%83%98%e1%83%a4%e1%83%a0%e1%83%a3%e1%83%9a%e1%83%98-%e1%83%9b%e1%83%90%e1%83%a3%e1%83%ac%e1%83%a7%e1%83%94%e1%83%91%e1%83%9a%e1%83%9d%e1%83%91%e1%83%90-%e1%83%93%e1%83%90-z-%e1%83%97/]]></guid>
			<link><![CDATA[https://artsmediajournal.tafu.edu.ge/%e1%83%aa%e1%83%98%e1%83%a4%e1%83%a0%e1%83%a3%e1%83%9a%e1%83%98-%e1%83%9b%e1%83%90%e1%83%a3%e1%83%ac%e1%83%a7%e1%83%94%e1%83%91%e1%83%9a%e1%83%9d%e1%83%91%e1%83%90-%e1%83%93%e1%83%90-z-%e1%83%97/]]></link>
			<title>ციფრული მაუწყებლობა და Z თაობის ყურების პრაქტიკა: კვლევა კულტურული ინდუსტრიისა და ჰაბიტუსის კონტექსტში. ბილგე კალკავანი, ზიუბეიდე გამზე შაჰინი</title>
			<pubDate><![CDATA[Sun, 13 Sep 2026 11:19:04 +0000]]></pubDate>
		</item>
					<item>
			<guid><![CDATA[https://artsmediajournal.tafu.edu.ge/en/the-radio-as-an-instrument-of-cultural-diffusion-theona-zedania/]]></guid>
			<link><![CDATA[https://artsmediajournal.tafu.edu.ge/en/the-radio-as-an-instrument-of-cultural-diffusion-theona-zedania/]]></link>
			<title>THE RADIO AS AN INSTRUMENT OF CULTURAL DIFFUSION. Theona Zedania</title>
			<pubDate><![CDATA[Sun, 13 Sep 2026 11:18:49 +0000]]></pubDate>
		</item>
					<item>
			<guid><![CDATA[https://artsmediajournal.tafu.edu.ge/%e1%83%a0%e1%83%90%e1%83%93%e1%83%98%e1%83%9d-%e1%83%a0%e1%83%9d%e1%83%92%e1%83%9d%e1%83%a0%e1%83%aa-%e1%83%99%e1%83%a3%e1%83%9a%e1%83%a2%e1%83%a3%e1%83%a0%e1%83%a3%e1%83%9a%e1%83%98-%e1%83%93/]]></guid>
			<link><![CDATA[https://artsmediajournal.tafu.edu.ge/%e1%83%a0%e1%83%90%e1%83%93%e1%83%98%e1%83%9d-%e1%83%a0%e1%83%9d%e1%83%92%e1%83%9d%e1%83%a0%e1%83%aa-%e1%83%99%e1%83%a3%e1%83%9a%e1%83%a2%e1%83%a3%e1%83%a0%e1%83%a3%e1%83%9a%e1%83%98-%e1%83%93/]]></link>
			<title>რადიო, როგორც კულტურული დიფუზიის ინსტრუმენტი. თეონა ზედანია</title>
			<pubDate><![CDATA[Sun, 13 Sep 2026 11:18:41 +0000]]></pubDate>
		</item>
					<item>
			<guid><![CDATA[https://artsmediajournal.tafu.edu.ge/en/cinema-as-a-representation-of-historical-time-and-an-archive-of-memory-the-war-that-continues-the-2008-russo-georgian-war-in-russian-cinema-nana-dolidze/]]></guid>
			<link><![CDATA[https://artsmediajournal.tafu.edu.ge/en/cinema-as-a-representation-of-historical-time-and-an-archive-of-memory-the-war-that-continues-the-2008-russo-georgian-war-in-russian-cinema-nana-dolidze/]]></link>
			<title>CINEMA AS A REPRESENTATION OF HISTORICAL TIME AND AN ARCHIVE OF MEMORY (The War That Continues—The 2008 Russo-Georgian War in Russian Cinema). Nana Dolidze</title>
			<pubDate><![CDATA[Sun, 13 Sep 2026 11:18:26 +0000]]></pubDate>
		</item>
					<item>
			<guid><![CDATA[https://artsmediajournal.tafu.edu.ge/%e1%83%99%e1%83%98%e1%83%9c%e1%83%9d-%e1%83%a0%e1%83%9d%e1%83%92%e1%83%9d%e1%83%a0%e1%83%aa-%e1%83%98%e1%83%a1%e1%83%a2%e1%83%9d%e1%83%a0%e1%83%98%e1%83%a3%e1%83%9a%e1%83%98-%e1%83%93%e1%83%a0/]]></guid>
			<link><![CDATA[https://artsmediajournal.tafu.edu.ge/%e1%83%99%e1%83%98%e1%83%9c%e1%83%9d-%e1%83%a0%e1%83%9d%e1%83%92%e1%83%9d%e1%83%a0%e1%83%aa-%e1%83%98%e1%83%a1%e1%83%a2%e1%83%9d%e1%83%a0%e1%83%98%e1%83%a3%e1%83%9a%e1%83%98-%e1%83%93%e1%83%a0/]]></link>
			<title>კინო, როგორც ისტორიული დროის რეპრეზენტატორი და მეხსიერების არქივი (ომი, რომელიც დღემდე გრძელდება &#8211; 2008 წლის 5-დღიანი ომის ისტორია რუსულ კინოში). ნანა დოლიძე</title>
			<pubDate><![CDATA[Sun, 13 Sep 2026 11:18:16 +0000]]></pubDate>
		</item>
					<item>
			<guid><![CDATA[https://artsmediajournal.tafu.edu.ge/en/sacred-chant-traditions-in-gareji-analyzing-liturgical-sources-tamar-chkheidze/]]></guid>
			<link><![CDATA[https://artsmediajournal.tafu.edu.ge/en/sacred-chant-traditions-in-gareji-analyzing-liturgical-sources-tamar-chkheidze/]]></link>
			<title>SACRED CHANT TRADITIONS IN GAREJI: ANALYZING LITURGICAL SOURCES. Tamar Chkheidze</title>
			<pubDate><![CDATA[Sun, 13 Sep 2026 11:18:00 +0000]]></pubDate>
		</item>
					<item>
			<guid><![CDATA[https://artsmediajournal.tafu.edu.ge/%e1%83%a1%e1%83%90%e1%83%9b%e1%83%92%e1%83%90%e1%83%9a%e1%83%9d%e1%83%91%e1%83%9a%e1%83%9d-%e1%83%a2%e1%83%a0%e1%83%90%e1%83%93%e1%83%98%e1%83%aa%e1%83%98%e1%83%90-%e1%83%92%e1%83%90%e1%83%a0%e1%83%94/]]></guid>
			<link><![CDATA[https://artsmediajournal.tafu.edu.ge/%e1%83%a1%e1%83%90%e1%83%9b%e1%83%92%e1%83%90%e1%83%9a%e1%83%9d%e1%83%91%e1%83%9a%e1%83%9d-%e1%83%a2%e1%83%a0%e1%83%90%e1%83%93%e1%83%98%e1%83%aa%e1%83%98%e1%83%90-%e1%83%92%e1%83%90%e1%83%a0%e1%83%94/]]></link>
			<title>სამგალობლო ტრადიცია გარეჯში: ლიტურგიკული წყაროების ანალიზი. თამარ ჩხეიძე</title>
			<pubDate><![CDATA[Sun, 13 Sep 2026 11:17:50 +0000]]></pubDate>
		</item>
					<item>
			<guid><![CDATA[https://artsmediajournal.tafu.edu.ge/en/the-reception-of-kanchelis-opera-in-the-21-century-marina-kavtaradze/]]></guid>
			<link><![CDATA[https://artsmediajournal.tafu.edu.ge/en/the-reception-of-kanchelis-opera-in-the-21-century-marina-kavtaradze/]]></link>
			<title>THE RECEPTION OF KANCHELI’S OPERA IN THE 21 CENTURY. Marina Kavtaradze</title>
			<pubDate><![CDATA[Sun, 13 Sep 2026 11:17:36 +0000]]></pubDate>
		</item>
					<item>
			<guid><![CDATA[https://artsmediajournal.tafu.edu.ge/%e1%83%a7%e1%83%90%e1%83%9c%e1%83%a9%e1%83%94%e1%83%9a%e1%83%98%e1%83%a1-%e1%83%9d%e1%83%9e%e1%83%94%e1%83%a0%e1%83%98%e1%83%a1-%e1%83%a0%e1%83%94%e1%83%aa%e1%83%94%e1%83%a4%e1%83%aa%e1%83%98%e1%83%90/]]></guid>
			<link><![CDATA[https://artsmediajournal.tafu.edu.ge/%e1%83%a7%e1%83%90%e1%83%9c%e1%83%a9%e1%83%94%e1%83%9a%e1%83%98%e1%83%a1-%e1%83%9d%e1%83%9e%e1%83%94%e1%83%a0%e1%83%98%e1%83%a1-%e1%83%a0%e1%83%94%e1%83%aa%e1%83%94%e1%83%a4%e1%83%aa%e1%83%98%e1%83%90/]]></link>
			<title>ყანჩელის ოპერის რეცეფცია XXI საუკუნეში. მარინა ქავთარაძე</title>
			<pubDate><![CDATA[Sun, 13 Sep 2026 11:17:26 +0000]]></pubDate>
		</item>
					<item>
			<guid><![CDATA[https://artsmediajournal.tafu.edu.ge/en/the-sonority-of-the-new-era-technology-and-improvisation-in-rezo-kiknadzes-compositional-process-nia-barabadze/]]></guid>
			<link><![CDATA[https://artsmediajournal.tafu.edu.ge/en/the-sonority-of-the-new-era-technology-and-improvisation-in-rezo-kiknadzes-compositional-process-nia-barabadze/]]></link>
			<title>THE SONORITY OF THE NEW ERA: TECHNOLOGY AND IMPROVISATION IN REZO KIKNADZE’S COMPOSITIONAL PROCESS. Nia Barabadze</title>
			<pubDate><![CDATA[Sun, 13 Sep 2026 11:17:11 +0000]]></pubDate>
		</item>
					<item>
			<guid><![CDATA[https://artsmediajournal.tafu.edu.ge/%e1%83%90%e1%83%ae%e1%83%90%e1%83%9a%e1%83%98-%e1%83%93%e1%83%a0%e1%83%9d%e1%83%98%e1%83%a1-%e1%83%ae%e1%83%9b%e1%83%9d%e1%83%95%e1%83%90%e1%83%9c%e1%83%94%e1%83%91%e1%83%90-%e1%83%a2%e1%83%94/]]></guid>
			<link><![CDATA[https://artsmediajournal.tafu.edu.ge/%e1%83%90%e1%83%ae%e1%83%90%e1%83%9a%e1%83%98-%e1%83%93%e1%83%a0%e1%83%9d%e1%83%98%e1%83%a1-%e1%83%ae%e1%83%9b%e1%83%9d%e1%83%95%e1%83%90%e1%83%9c%e1%83%94%e1%83%91%e1%83%90-%e1%83%a2%e1%83%94/]]></link>
			<title>ახალი დროის ხმოვანება: ტექნოლოგია და იმპროვიზაცია რეზო კიკნაძის კომპოზიციურ პროცესში. ნია ბარაბაძე</title>
			<pubDate><![CDATA[Sun, 13 Sep 2026 11:17:01 +0000]]></pubDate>
		</item>
					<item>
			<guid><![CDATA[https://artsmediajournal.tafu.edu.ge/en/georgian-urban-space-imperial-ideology-and-the-four-sobors-anna-mgaloblishvili-irene-giviashvili/]]></guid>
			<link><![CDATA[https://artsmediajournal.tafu.edu.ge/en/georgian-urban-space-imperial-ideology-and-the-four-sobors-anna-mgaloblishvili-irene-giviashvili/]]></link>
			<title>GEORGIAN URBAN SPACE, IMPERIAL IDEOLOGY, AND THE FOUR SOBORS. Anna Mgaloblishvili, Irene Giviashvili</title>
			<pubDate><![CDATA[Sun, 13 Sep 2026 11:16:16 +0000]]></pubDate>
		</item>
					<item>
			<guid><![CDATA[https://artsmediajournal.tafu.edu.ge/%e1%83%a5%e1%83%90%e1%83%a0%e1%83%97%e1%83%a3%e1%83%9a%e1%83%98-%e1%83%a3%e1%83%a0%e1%83%91%e1%83%90%e1%83%9c%e1%83%a3%e1%83%9a%e1%83%98-%e1%83%a1%e1%83%98%e1%83%95%e1%83%a0%e1%83%aa%e1%83%94/]]></guid>
			<link><![CDATA[https://artsmediajournal.tafu.edu.ge/%e1%83%a5%e1%83%90%e1%83%a0%e1%83%97%e1%83%a3%e1%83%9a%e1%83%98-%e1%83%a3%e1%83%a0%e1%83%91%e1%83%90%e1%83%9c%e1%83%a3%e1%83%9a%e1%83%98-%e1%83%a1%e1%83%98%e1%83%95%e1%83%a0%e1%83%aa%e1%83%94/]]></link>
			<title>ქართული ურბანული სივრცე, იმპერიული იდეოლოგია და ოთხი სობორო. ანა მგალობლიშვილი, ირინე გივიაშვილი</title>
			<pubDate><![CDATA[Sun, 13 Sep 2026 11:16:07 +0000]]></pubDate>
		</item>
					<item>
			<guid><![CDATA[https://artsmediajournal.tafu.edu.ge/en/the-creative-works-of-artist-mikheil-bilanishvili-in-the-context-of-georgian-european-political-aesthetic-challenges-in-the-1920s-1930s-irine-abesadze/]]></guid>
			<link><![CDATA[https://artsmediajournal.tafu.edu.ge/en/the-creative-works-of-artist-mikheil-bilanishvili-in-the-context-of-georgian-european-political-aesthetic-challenges-in-the-1920s-1930s-irine-abesadze/]]></link>
			<title>THE CREATIVE WORKS OF ARTIST MIKHEIL BILANISHVILI IN THE CONTEXT OF GEORGIAN- EUROPEAN POLITICAL-AESTHETIC CHALLENGES IN THE 1920S-1930S. Irine Abesadze</title>
			<pubDate><![CDATA[Sun, 13 Sep 2026 11:15:51 +0000]]></pubDate>
		</item>
					<item>
			<guid><![CDATA[https://artsmediajournal.tafu.edu.ge/%e1%83%9b%e1%83%ae%e1%83%90%e1%83%a2%e1%83%95%e1%83%90%e1%83%a0-%e1%83%9b%e1%83%98%e1%83%ae%e1%83%94%e1%83%98%e1%83%9a-%e1%83%91%e1%83%98%e1%83%9a%e1%83%90%e1%83%9c%e1%83%98%e1%83%a8%e1%83%95%e1%83%98/]]></guid>
			<link><![CDATA[https://artsmediajournal.tafu.edu.ge/%e1%83%9b%e1%83%ae%e1%83%90%e1%83%a2%e1%83%95%e1%83%90%e1%83%a0-%e1%83%9b%e1%83%98%e1%83%ae%e1%83%94%e1%83%98%e1%83%9a-%e1%83%91%e1%83%98%e1%83%9a%e1%83%90%e1%83%9c%e1%83%98%e1%83%a8%e1%83%95%e1%83%98/]]></link>
			<title>მხატვარ მიხეილ ბილანიშვილის შემოქმედებითი მოღვაწეობა XX საუკუნის 20-30-ანი წლების ქართულ-ევროპული პოლიტიკურ &#8211; ესთეტიკური გამოწვევების კონტექსტში. ირინე აბესაძე</title>
			<pubDate><![CDATA[Sun, 13 Sep 2026 11:15:43 +0000]]></pubDate>
		</item>
					<item>
			<guid><![CDATA[https://artsmediajournal.tafu.edu.ge/en/architecture-of-the-kutaisi-theater-as-an-expression-of-soviet-ideological-discourse-irma-dolidze/]]></guid>
			<link><![CDATA[https://artsmediajournal.tafu.edu.ge/en/architecture-of-the-kutaisi-theater-as-an-expression-of-soviet-ideological-discourse-irma-dolidze/]]></link>
			<title>ARCHITECTURE OF THE KUTAISI THEATER AS AN EXPRESSION OF SOVIET IDEOLOGICAL DISCOURSE. Irma Dolidze</title>
			<pubDate><![CDATA[Sun, 13 Sep 2026 11:15:25 +0000]]></pubDate>
		</item>
					<item>
			<guid><![CDATA[https://artsmediajournal.tafu.edu.ge/%e1%83%a5%e1%83%a3%e1%83%97%e1%83%90%e1%83%98%e1%83%a1%e1%83%98%e1%83%a1-%e1%83%97%e1%83%94%e1%83%90%e1%83%a2%e1%83%a0%e1%83%98%e1%83%a1-%e1%83%90%e1%83%a0%e1%83%a5%e1%83%98%e1%83%a2%e1%83%94%e1%83%a5/]]></guid>
			<link><![CDATA[https://artsmediajournal.tafu.edu.ge/%e1%83%a5%e1%83%a3%e1%83%97%e1%83%90%e1%83%98%e1%83%a1%e1%83%98%e1%83%a1-%e1%83%97%e1%83%94%e1%83%90%e1%83%a2%e1%83%a0%e1%83%98%e1%83%a1-%e1%83%90%e1%83%a0%e1%83%a5%e1%83%98%e1%83%a2%e1%83%94%e1%83%a5/]]></link>
			<title>ქუთაისის თეატრის არქიტექტურა და საბჭოთა იდეოლოგიური დისკურსი. ირმა დოლიძე</title>
			<pubDate><![CDATA[Sun, 13 Sep 2026 11:15:16 +0000]]></pubDate>
		</item>
					<item>
			<guid><![CDATA[https://artsmediajournal.tafu.edu.ge/en/heroines-an-exhibition-study-of-womens-fashion-and-the-role-of-women-during-world-war-ii-ekaterina-kenigsberg/]]></guid>
			<link><![CDATA[https://artsmediajournal.tafu.edu.ge/en/heroines-an-exhibition-study-of-womens-fashion-and-the-role-of-women-during-world-war-ii-ekaterina-kenigsberg/]]></link>
			<title>“HEROINES” – AN EXHIBITION-STUDY OF WOMEN’S FASHION AND THE ROLE OF WOMEN DURING WORLD WAR II. Ekaterina Kenigsberg</title>
			<pubDate><![CDATA[Sun, 13 Sep 2026 11:15:00 +0000]]></pubDate>
		</item>
					<item>
			<guid><![CDATA[https://artsmediajournal.tafu.edu.ge/%e1%83%92%e1%83%9b%e1%83%98%e1%83%a0%e1%83%98-%e1%83%a5%e1%83%90%e1%83%9a%e1%83%94%e1%83%91%e1%83%98-%e1%83%92%e1%83%90%e1%83%9b%e1%83%9d%e1%83%a4%e1%83%94%e1%83%9c%e1%83%90-%e1%83%99%e1%83%95/]]></guid>
			<link><![CDATA[https://artsmediajournal.tafu.edu.ge/%e1%83%92%e1%83%9b%e1%83%98%e1%83%a0%e1%83%98-%e1%83%a5%e1%83%90%e1%83%9a%e1%83%94%e1%83%91%e1%83%98-%e1%83%92%e1%83%90%e1%83%9b%e1%83%9d%e1%83%a4%e1%83%94%e1%83%9c%e1%83%90-%e1%83%99%e1%83%95/]]></link>
			<title>გმირი ქალები &#8211; გამოფენა-კვლევა ქალთა მოდისა და როლის შესახებ მეორე მსოფლიო ომის დროს. ეკატერინა კენიგსბერგი</title>
			<pubDate><![CDATA[Sun, 13 Sep 2026 11:14:51 +0000]]></pubDate>
		</item>
					<item>
			<guid><![CDATA[https://artsmediajournal.tafu.edu.ge/en/the-imperial-myth-of-progress-and-friendship-the-monuments-to-mikhail-vorontsov-and-alexander-griboyedov-in-tbilisi-ekaterine-kiknadze-george-partskhaladze/]]></guid>
			<link><![CDATA[https://artsmediajournal.tafu.edu.ge/en/the-imperial-myth-of-progress-and-friendship-the-monuments-to-mikhail-vorontsov-and-alexander-griboyedov-in-tbilisi-ekaterine-kiknadze-george-partskhaladze/]]></link>
			<title>THE IMPERIAL MYTH OF PROGRESS AND FRIENDSHIP: THE MONUMENTS TO MIKHAIL VORONTSOV AND ALEXANDER GRIBOYEDOV IN TBILISI. Ekaterine Kiknadze, George Partskhaladze</title>
			<pubDate><![CDATA[Sun, 13 Sep 2026 11:14:34 +0000]]></pubDate>
		</item>
					<item>
			<guid><![CDATA[https://artsmediajournal.tafu.edu.ge/%e1%83%98%e1%83%9b%e1%83%9e%e1%83%94%e1%83%a0%e1%83%98%e1%83%a3%e1%83%9a%e1%83%98-%e1%83%9b%e1%83%98%e1%83%97%e1%83%98-%e1%83%9e%e1%83%a0%e1%83%9d%e1%83%92%e1%83%a0%e1%83%94%e1%83%a1%e1%83%98%e1%83%a1/]]></guid>
			<link><![CDATA[https://artsmediajournal.tafu.edu.ge/%e1%83%98%e1%83%9b%e1%83%9e%e1%83%94%e1%83%a0%e1%83%98%e1%83%a3%e1%83%9a%e1%83%98-%e1%83%9b%e1%83%98%e1%83%97%e1%83%98-%e1%83%9e%e1%83%a0%e1%83%9d%e1%83%92%e1%83%a0%e1%83%94%e1%83%a1%e1%83%98%e1%83%a1/]]></link>
			<title>იმპერიული მითი პროგრესისა და მეგობრობის შესახებ: მიხაილ ვორონცოვისა და ალექსანდრე გრიბოედოვის ძეგლები თბილისში. ეკატერინე კიკნაძე, გიორგი ფარცხალაძე</title>
			<pubDate><![CDATA[Sun, 13 Sep 2026 11:14:25 +0000]]></pubDate>
		</item>
					<item>
			<guid><![CDATA[https://artsmediajournal.tafu.edu.ge/en/the-urban-transformation-of-tbilisis-left-bank-and-soviet-architectural-policy-1935-1955-david-nioradze/]]></guid>
			<link><![CDATA[https://artsmediajournal.tafu.edu.ge/en/the-urban-transformation-of-tbilisis-left-bank-and-soviet-architectural-policy-1935-1955-david-nioradze/]]></link>
			<title>THE URBAN TRANSFORMATION OF TBILISI’S LEFT BANK AND SOVIET ARCHITECTURAL POLICY (1935-1955). David Nioradze</title>
			<pubDate><![CDATA[Sun, 13 Sep 2026 11:14:08 +0000]]></pubDate>
		</item>
					<item>
			<guid><![CDATA[https://artsmediajournal.tafu.edu.ge/%e1%83%97%e1%83%91%e1%83%98%e1%83%9a%e1%83%98%e1%83%a1%e1%83%98%e1%83%a1-%e1%83%9b%e1%83%90%e1%83%a0%e1%83%aa%e1%83%ae%e1%83%94%e1%83%9c%e1%83%90-%e1%83%a1%e1%83%90%e1%83%9c%e1%83%90%e1%83%9e%e1%83%98/]]></guid>
			<link><![CDATA[https://artsmediajournal.tafu.edu.ge/%e1%83%97%e1%83%91%e1%83%98%e1%83%9a%e1%83%98%e1%83%a1%e1%83%98%e1%83%a1-%e1%83%9b%e1%83%90%e1%83%a0%e1%83%aa%e1%83%ae%e1%83%94%e1%83%9c%e1%83%90-%e1%83%a1%e1%83%90%e1%83%9c%e1%83%90%e1%83%9e%e1%83%98/]]></link>
			<title>თბილისის მარცხენა სანაპიროს ურბანული ტრანსფორმაცია და საბჭოთა არქიტექტურული პოლიტიკა (1935-1955). დავით ნიორაძე</title>
			<pubDate><![CDATA[Sun, 13 Sep 2026 11:13:59 +0000]]></pubDate>
		</item>
					<item>
			<guid><![CDATA[https://artsmediajournal.tafu.edu.ge/en/late-byzantine-scientific-achievements-and-a-fragment-of-the-south-wall-painting-of-svetitskhoveli-lali-osepashvili/]]></guid>
			<link><![CDATA[https://artsmediajournal.tafu.edu.ge/en/late-byzantine-scientific-achievements-and-a-fragment-of-the-south-wall-painting-of-svetitskhoveli-lali-osepashvili/]]></link>
			<title>LATE BYZANTINE SCIENTIFIC ACHIEVEMENTS AND A FRAGMENT OF THE SOUTH WALL PAINTING OF SVETITSKHOVELI. Lali Osepashvili</title>
			<pubDate><![CDATA[Sun, 13 Sep 2026 11:13:42 +0000]]></pubDate>
		</item>
					<item>
			<guid><![CDATA[https://artsmediajournal.tafu.edu.ge/%e1%83%92%e1%83%95%e1%83%98%e1%83%90%e1%83%9c-%e1%83%91%e1%83%98%e1%83%96%e1%83%90%e1%83%9c%e1%83%a2%e1%83%98%e1%83%a3%e1%83%a0%e1%83%98-%e1%83%a1%e1%83%90%e1%83%9b%e1%83%94%e1%83%aa%e1%83%9c%e1%83%98/]]></guid>
			<link><![CDATA[https://artsmediajournal.tafu.edu.ge/%e1%83%92%e1%83%95%e1%83%98%e1%83%90%e1%83%9c-%e1%83%91%e1%83%98%e1%83%96%e1%83%90%e1%83%9c%e1%83%a2%e1%83%98%e1%83%a3%e1%83%a0%e1%83%98-%e1%83%a1%e1%83%90%e1%83%9b%e1%83%94%e1%83%aa%e1%83%9c%e1%83%98/]]></link>
			<title>გვიან ბიზანტიური სამეცნიერო მიღწევები და სვეტიცხოვლის სამხრეთი კედლის მოხატულობის ფრაგმენტი. ლალი ოსეფაშვილი</title>
			<pubDate><![CDATA[Sun, 13 Sep 2026 11:13:33 +0000]]></pubDate>
		</item>
					<item>
			<guid><![CDATA[https://artsmediajournal.tafu.edu.ge/en/de-colonial-narratives-in-tbilisi-graffiti-culture-giorgi-razmadze/]]></guid>
			<link><![CDATA[https://artsmediajournal.tafu.edu.ge/en/de-colonial-narratives-in-tbilisi-graffiti-culture-giorgi-razmadze/]]></link>
			<title>DE-COLONIAL NARRATIVES IN TBILISI GRAFFITI CULTURE. Giorgi Razmadze</title>
			<pubDate><![CDATA[Sun, 13 Sep 2026 11:13:16 +0000]]></pubDate>
		</item>
					<item>
			<guid><![CDATA[https://artsmediajournal.tafu.edu.ge/%e1%83%93%e1%83%94%e1%83%99%e1%83%9d%e1%83%9a%e1%83%9d%e1%83%9c%e1%83%98%e1%83%a3%e1%83%a0%e1%83%98-%e1%83%9c%e1%83%90%e1%83%a0%e1%83%90%e1%83%a2%e1%83%98%e1%83%95%e1%83%94%e1%83%91%e1%83%98-%e1%83%97/]]></guid>
			<link><![CDATA[https://artsmediajournal.tafu.edu.ge/%e1%83%93%e1%83%94%e1%83%99%e1%83%9d%e1%83%9a%e1%83%9d%e1%83%9c%e1%83%98%e1%83%a3%e1%83%a0%e1%83%98-%e1%83%9c%e1%83%90%e1%83%a0%e1%83%90%e1%83%a2%e1%83%98%e1%83%95%e1%83%94%e1%83%91%e1%83%98-%e1%83%97/]]></link>
			<title>დეკოლონიური ნარატივები თბილისის გრაფიტის კულტურაში. გიორგი რაზმაძე</title>
			<pubDate><![CDATA[Sun, 13 Sep 2026 11:13:07 +0000]]></pubDate>
		</item>
					<item>
			<guid><![CDATA[https://artsmediajournal.tafu.edu.ge/en/christs-robe-and-its-veneration-in-georgian-christian-tradition-ketevan-ochkhikidze/]]></guid>
			<link><![CDATA[https://artsmediajournal.tafu.edu.ge/en/christs-robe-and-its-veneration-in-georgian-christian-tradition-ketevan-ochkhikidze/]]></link>
			<title>CHRIST’S ROBE AND ITS VENERATION IN GEORGIAN CHRISTIAN TRADITION. Ketevan Ochkhikidze</title>
			<pubDate><![CDATA[Sun, 13 Sep 2026 11:12:50 +0000]]></pubDate>
		</item>
					<item>
			<guid><![CDATA[https://artsmediajournal.tafu.edu.ge/%e1%83%a5%e1%83%a0%e1%83%98%e1%83%a1%e1%83%a2%e1%83%94%e1%83%a1-%e1%83%99%e1%83%95%e1%83%90%e1%83%a0%e1%83%97%e1%83%98-%e1%83%93%e1%83%90-%e1%83%9b%e1%83%98%e1%83%a1%e1%83%98-%e1%83%97%e1%83%90/]]></guid>
			<link><![CDATA[https://artsmediajournal.tafu.edu.ge/%e1%83%a5%e1%83%a0%e1%83%98%e1%83%a1%e1%83%a2%e1%83%94%e1%83%a1-%e1%83%99%e1%83%95%e1%83%90%e1%83%a0%e1%83%97%e1%83%98-%e1%83%93%e1%83%90-%e1%83%9b%e1%83%98%e1%83%a1%e1%83%98-%e1%83%97%e1%83%90/]]></link>
			<title>ქრისტეს კვართი და მისი თაყვანისცემა ქართულ ქრისტიანულ ტრადიციაში. ქეთევან ოჩხიკიძე</title>
			<pubDate><![CDATA[Sun, 13 Sep 2026 11:12:42 +0000]]></pubDate>
		</item>
					<item>
			<guid><![CDATA[https://artsmediajournal.tafu.edu.ge/en/adolf-loos-manifesto-ornament-and-crime-contexts-and-appropriations-christian-freigang/]]></guid>
			<link><![CDATA[https://artsmediajournal.tafu.edu.ge/en/adolf-loos-manifesto-ornament-and-crime-contexts-and-appropriations-christian-freigang/]]></link>
			<title>ADOLF LOOS’ MANIFESTO “ORNAMENT AND CRIME”: CONTEXTS AND APPROPRIATIONS. Christian Freigang</title>
			<pubDate><![CDATA[Sun, 13 Sep 2026 11:12:25 +0000]]></pubDate>
		</item>
					<item>
			<guid><![CDATA[https://artsmediajournal.tafu.edu.ge/%e1%83%90%e1%83%93%e1%83%9d%e1%83%9a%e1%83%a4-%e1%83%9a%e1%83%9d%e1%83%9d%e1%83%a1%e1%83%98%e1%83%a1-%e1%83%9b%e1%83%90%e1%83%9c%e1%83%98%e1%83%a4%e1%83%94%e1%83%a1%e1%83%a2%e1%83%98/]]></guid>
			<link><![CDATA[https://artsmediajournal.tafu.edu.ge/%e1%83%90%e1%83%93%e1%83%9d%e1%83%9a%e1%83%a4-%e1%83%9a%e1%83%9d%e1%83%9d%e1%83%a1%e1%83%98%e1%83%a1-%e1%83%9b%e1%83%90%e1%83%9c%e1%83%98%e1%83%a4%e1%83%94%e1%83%a1%e1%83%a2%e1%83%98/]]></link>
			<title>ადოლფ ლოოსის მანიფესტი „ორნამენტი და დანაშაული“: კონტექსტები და ინტერპრეტაციები. ქრისტიან ფრაიგანგი</title>
			<pubDate><![CDATA[Sun, 13 Sep 2026 11:12:16 +0000]]></pubDate>
		</item>
					<item>
			<guid><![CDATA[https://artsmediajournal.tafu.edu.ge/en/innovative-materials-and-digital-technologies-in-the-context-of-contemporary-visual-art-shorena-pkhakadze/]]></guid>
			<link><![CDATA[https://artsmediajournal.tafu.edu.ge/en/innovative-materials-and-digital-technologies-in-the-context-of-contemporary-visual-art-shorena-pkhakadze/]]></link>
			<title>INNOVATIVE MATERIALS AND DIGITAL TECHNOLOGIES IN THE CONTEXT OF CONTEMPORARY VISUAL ART. Shorena Pkhakadze</title>
			<pubDate><![CDATA[Sun, 13 Sep 2026 11:11:59 +0000]]></pubDate>
		</item>
					<item>
			<guid><![CDATA[https://artsmediajournal.tafu.edu.ge/%e1%83%98%e1%83%9c%e1%83%9d%e1%83%95%e1%83%90%e1%83%aa%e1%83%98%e1%83%a3%e1%83%a0%e1%83%98-%e1%83%9b%e1%83%90%e1%83%a1%e1%83%90%e1%83%9a%e1%83%94%e1%83%91%e1%83%98-%e1%83%93%e1%83%90-%e1%83%aa/]]></guid>
			<link><![CDATA[https://artsmediajournal.tafu.edu.ge/%e1%83%98%e1%83%9c%e1%83%9d%e1%83%95%e1%83%90%e1%83%aa%e1%83%98%e1%83%a3%e1%83%a0%e1%83%98-%e1%83%9b%e1%83%90%e1%83%a1%e1%83%90%e1%83%9a%e1%83%94%e1%83%91%e1%83%98-%e1%83%93%e1%83%90-%e1%83%aa/]]></link>
			<title>ინოვაციური მასალები და ციფრული ტექნოლოგიები თანამედროვე ვიზუალური ხელოვნების კონტექსტში. შორენა ფხაკაძე</title>
			<pubDate><![CDATA[Sun, 13 Sep 2026 11:11:50 +0000]]></pubDate>
		</item>
					<item>
			<guid><![CDATA[https://artsmediajournal.tafu.edu.ge/en/a-country-of-the-poor-for-sale-art-as-protest-and-a-critical-discourse-on-time-natia-tsulukidze/]]></guid>
			<link><![CDATA[https://artsmediajournal.tafu.edu.ge/en/a-country-of-the-poor-for-sale-art-as-protest-and-a-critical-discourse-on-time-natia-tsulukidze/]]></link>
			<title>A COUNTRY OF THE POOR FOR SALE! ART AS PROTEST AND A CRITICAL DISCOURSE ON TIME. Natia Tsulukidze</title>
			<pubDate><![CDATA[Sun, 13 Sep 2026 11:11:31 +0000]]></pubDate>
		</item>
					<item>
			<guid><![CDATA[https://artsmediajournal.tafu.edu.ge/%e1%83%98%e1%83%a7%e1%83%98%e1%83%93%e1%83%94%e1%83%91%e1%83%90-%e1%83%a6%e1%83%90%e1%83%a0%e1%83%98%e1%83%91%e1%83%94%e1%83%91%e1%83%98%e1%83%a1-%e1%83%a5%e1%83%95%e1%83%94%e1%83%a7%e1%83%90%e1%83%9c/]]></guid>
			<link><![CDATA[https://artsmediajournal.tafu.edu.ge/%e1%83%98%e1%83%a7%e1%83%98%e1%83%93%e1%83%94%e1%83%91%e1%83%90-%e1%83%a6%e1%83%90%e1%83%a0%e1%83%98%e1%83%91%e1%83%94%e1%83%91%e1%83%98%e1%83%a1-%e1%83%a5%e1%83%95%e1%83%94%e1%83%a7%e1%83%90%e1%83%9c/]]></link>
			<title>იყიდება ღარიბების ქვეყანა! ხელოვნება, როგორც პროტესტი და დროის კრიტიკული დისკურსი. ნათია წულუკიძე</title>
			<pubDate><![CDATA[Sun, 13 Sep 2026 11:11:19 +0000]]></pubDate>
		</item>
					<item>
			<guid><![CDATA[https://artsmediajournal.tafu.edu.ge/en/beyond-the-%d0%bcirror-is-the-future-black-iosif-astrukov/]]></guid>
			<link><![CDATA[https://artsmediajournal.tafu.edu.ge/en/beyond-the-%d0%bcirror-is-the-future-black-iosif-astrukov/]]></link>
			<title>BEYOND THE МIRROR—IS THE FUTURE BLACK?. Iosif Astrukov</title>
			<pubDate><![CDATA[Sun, 13 Sep 2026 11:11:01 +0000]]></pubDate>
		</item>
					<item>
			<guid><![CDATA[https://artsmediajournal.tafu.edu.ge/%e1%83%a1%e1%83%90%e1%83%a0%e1%83%99%e1%83%98%e1%83%a1-%e1%83%9b%e1%83%98%e1%83%a6%e1%83%9b%e1%83%90-%e1%83%9b%e1%83%90%e1%83%a0%e1%83%97%e1%83%9a%e1%83%90-%e1%83%a8%e1%83%90%e1%83%95%e1%83%91/]]></guid>
			<link><![CDATA[https://artsmediajournal.tafu.edu.ge/%e1%83%a1%e1%83%90%e1%83%a0%e1%83%99%e1%83%98%e1%83%a1-%e1%83%9b%e1%83%98%e1%83%a6%e1%83%9b%e1%83%90-%e1%83%9b%e1%83%90%e1%83%a0%e1%83%97%e1%83%9a%e1%83%90-%e1%83%a8%e1%83%90%e1%83%95%e1%83%91/]]></link>
			<title>სარკის მიღმა &#8211; მართლა შავბნელია მომავალი?. იოსიფ ასტრუკოვი</title>
			<pubDate><![CDATA[Sun, 13 Sep 2026 11:10:52 +0000]]></pubDate>
		</item>
					<item>
			<guid><![CDATA[https://artsmediajournal.tafu.edu.ge/en/the-environment-as-a-character-in-contemporary-georgian-documentary-cinema-tatia-akhalshenashvili/]]></guid>
			<link><![CDATA[https://artsmediajournal.tafu.edu.ge/en/the-environment-as-a-character-in-contemporary-georgian-documentary-cinema-tatia-akhalshenashvili/]]></link>
			<title>THE ENVIRONMENT AS A CHARACTER IN CONTEMPORARY GEORGIAN DOCUMENTARY CINEMA. Tatia Akhalshenashvili</title>
			<pubDate><![CDATA[Sun, 13 Sep 2026 11:10:35 +0000]]></pubDate>
		</item>
					<item>
			<guid><![CDATA[https://artsmediajournal.tafu.edu.ge/%e1%83%92%e1%83%90%e1%83%a0%e1%83%94%e1%83%9b%e1%83%9d-%e1%83%a0%e1%83%9d%e1%83%92%e1%83%9d%e1%83%a0%e1%83%aa-%e1%83%9e%e1%83%94%e1%83%a0%e1%83%a1%e1%83%9d%e1%83%9c%e1%83%90%e1%83%9f%e1%83%98/]]></guid>
			<link><![CDATA[https://artsmediajournal.tafu.edu.ge/%e1%83%92%e1%83%90%e1%83%a0%e1%83%94%e1%83%9b%e1%83%9d-%e1%83%a0%e1%83%9d%e1%83%92%e1%83%9d%e1%83%a0%e1%83%aa-%e1%83%9e%e1%83%94%e1%83%a0%e1%83%a1%e1%83%9d%e1%83%9c%e1%83%90%e1%83%9f%e1%83%98/]]></link>
			<title>გარემო, როგორც პერსონაჟი თანამედროვე ქართულ დოკუმენტურ კინოში. თათია ახალშენაშვილი</title>
			<pubDate><![CDATA[Sun, 13 Sep 2026 11:10:26 +0000]]></pubDate>
		</item>
					<item>
			<guid><![CDATA[https://artsmediajournal.tafu.edu.ge/en/modern-parabolic-cinema-the-dynamics-of-time-and-social-transformations-eleonora-gogolashvili/]]></guid>
			<link><![CDATA[https://artsmediajournal.tafu.edu.ge/en/modern-parabolic-cinema-the-dynamics-of-time-and-social-transformations-eleonora-gogolashvili/]]></link>
			<title>MODERN PARABOLIC CINEMA. THE DYNAMICS OF TIME AND SOCIAL TRANSFORMATIONS. Eleonora Gogolashvili</title>
			<pubDate><![CDATA[Sun, 13 Sep 2026 11:10:10 +0000]]></pubDate>
		</item>
					<item>
			<guid><![CDATA[https://artsmediajournal.tafu.edu.ge/%e1%83%97%e1%83%90%e1%83%9c%e1%83%90%e1%83%9b%e1%83%94%e1%83%93%e1%83%a0%e1%83%9d%e1%83%95%e1%83%94-%e1%83%98%e1%83%92%e1%83%90%e1%83%95%e1%83%a3%e1%83%a0%e1%83%98-%e1%83%99%e1%83%98%e1%83%9c%e1%83%9d/]]></guid>
			<link><![CDATA[https://artsmediajournal.tafu.edu.ge/%e1%83%97%e1%83%90%e1%83%9c%e1%83%90%e1%83%9b%e1%83%94%e1%83%93%e1%83%a0%e1%83%9d%e1%83%95%e1%83%94-%e1%83%98%e1%83%92%e1%83%90%e1%83%95%e1%83%a3%e1%83%a0%e1%83%98-%e1%83%99%e1%83%98%e1%83%9c%e1%83%9d/]]></link>
			<title>თანამედროვე იგავური კინო. დროის დინამიკა და სოციალური ტრანსფორმაციები. ელეონორა გოგოლაშვილი</title>
			<pubDate><![CDATA[Sun, 13 Sep 2026 11:10:02 +0000]]></pubDate>
		</item>
					<item>
			<guid><![CDATA[https://artsmediajournal.tafu.edu.ge/en/the-cinema-of-white-telephones-zviad-dolidze/]]></guid>
			<link><![CDATA[https://artsmediajournal.tafu.edu.ge/en/the-cinema-of-white-telephones-zviad-dolidze/]]></link>
			<title>The Cinema Of White Telephones. Zviad Dolidze</title>
			<pubDate><![CDATA[Sun, 13 Sep 2026 11:09:45 +0000]]></pubDate>
		</item>
					<item>
			<guid><![CDATA[https://artsmediajournal.tafu.edu.ge/]]></guid>
			<link><![CDATA[https://artsmediajournal.tafu.edu.ge/]]></link>
			<title>მთავარი</title>
			<pubDate><![CDATA[Sat, 12 Sep 2026 20:54:46 +0000]]></pubDate>
		</item>
				</channel>
</rss>
